Roadhouse blues

  
A continuation of my homage to Robert Johnson. A short excerpt from my short story about meeting the Devil at the crossroads:

He slowly tastes the whiskey, not the best, but it burns nicely going down and loosens up his limbs and his arms and takes the kinks out of his neck from the all-day drive. Thinks about the guitar in the trunk of his car. Time for that after the whiskey, and he can talk to the woman again, offer to play a few dances tonight when the sun goes down and more people start flowing in.

Drums his fingers on the table, feeling the callous and liking the clicking noise it makes on the wood. Taps out a blues lick. Feels the music creeping up on him, from the heat that coils around him, the smell of the booze and smoke and the creaking of the floor every time someone walks. The sounds and the swaying of the magnolia in the yard, all part of the flow of the blues, always right below the surface, always ready to be drawn out.

Closes his eyes … the woman comes back to his table and plunks another whiskey down on the table. He looks up puzzled; I didn’t order that, he says. She gives him a look he can’t quite interpret. Gestures her head slightly toward the bar. That man on the end, he buy you a drink, she says and moves away quickly.

He looks. A tall thin black man, lighter skinned than is usual around here, lighter than himself, he notes automatically. Even features, black framed glasses, suit and tie. Clean, good shoes. Suddenly aware of his own dusty shoes, his wrinkled clothing and the wetness and funk under his arms.
[…]

from “The Crossroads” (c) Shirley Braley 2015

The Crossroads

I’m a huge Robert Johnson fan. And while I don’t believe the tale about him selling his soul to the devil at the crossroads in return for a huge talent, I am entranced by both his music and history. So much so that I wrote a short story based on the crossroads legend, and his death by poisoning at the head of a jealous husband. Below are some treatments of a famous photo booth shot he did of himself.
          

A pair

  
Fruit is one of those photo subjects that never gets tiring. Working in black and white, you can capture the lovely shapes and textures and contours of pieces of fruit; no two are the same. I’m in good company on this one: two of my favorite B+W photographers influenced me heavily. Below are pears photographed by Andre Kertesz (http://en.wikipedia.org/wiki/André_Kertész), and Minor White (http://en.wikipedia.org/wiki/Minor_White).

The Kertesz:
2005_317

The White:
PC

Out of my head

  

   

The was just too fun not to work. Way up on a shelf, A whole row of disembodied heads sporting different hairstyles. Really, who could resist.

The first treatment is Photo Toaster’s Noir filter; the second is Jazz, with spot focus, diffusion and color balance.

Fashion Shoot 3

  
I might have gone a little overboard with the hair mannequin, but it was so much fun I couldn’t help myself. Looks real, doesn’t it? If you don’t look too closely at the eyes?

Photo Toaster, for light effects and color boost.

Fashion shoot 1

    
It spoils the affect to even say this, but the shot is of my stylist’s hair mannequin. He was trying out some new highlights, or an undo or whatever, and had just washed its hair. Just like a real person with real hair, it was a fright, full of tangles. But at this salon, they play Fashion Week runway shoes on video repeat, so I was all pumped to do something artistic and truly, I saw a lot of hair that was more out there than this.

I used Jazz to change the color balance, crop, and blur the edges. Then for the second one, I opened the pic in Photo Toaster and used a black and white filter.

Blasting drill

  
This arcane device, that looks like a piece of farming equipment, perhaps a remote control for a tractor, from the science-fiction decade of the 60s. Actually it’s contemporary, and this actual piece is in use currently in a part of my neighborhood being developed. It’s used to drill a hole in the ground, into which some dynamite is dropped. Then everyone runs like hell, jumps behind a dump truck in the nick of time, and dirt and rocks spray up into the air for 500 feet in all directions. I actually don’t know what happens, but I do know that this is what they use to drill down, and there is an air horn on top that lets out a pitiful little bleep, which I can sometimes hear from my house, and then muffled [boom]. I think the explosion is under ground, maybe it pulverizes the rock. But who cares. I like machines of all kinds, the more complicated the better.

I made it look retro-black-and-white to play up the fact that it looks like an antique. First I applied an HDR filter in PaintFX, then layered on some lighting effects and a black and white filter in PhotoToaster. It pays off being patient with image editing, even a devoted iPhoneographer might have to use several different apps to get the effects that the picture is asking for.

The engine that could

  

The North Carolina Museum of Transportation is tucked into a remote corner of Asheboro and really deserves more visitors and attention that it gets. If you like trains, this is a major destination. The place is packed with railroad cars and engines in a huge roundhouse with a working turntable to hook them up. My favorite engine was this one, that looked like something worthy of pulling the Hogwarts train, or the Polar Express.